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English Literature (intimately)
Dátum pridania: | 11.06.2003 | Oznámkuj: | 12345 |
Autor referátu: | Stromek | ||
Jazyk: | Počet slov: | 10 200 | |
Referát vhodný pre: | Stredná odborná škola | Počet A4: | 35.2 |
Priemerná známka: | 2.94 | Rýchle čítanie: | 58m 40s |
Pomalé čítanie: | 88m 0s |
In a series of powerful plays that made use of the latest economic and sociological theories, he exposed with enormous satirical skill the sickness and fatuities of individuals and societies in England and the rest of the modern world. Man and Superman (1903), Androcles and the Lion (1913), Heartbreak House (1919), and Back to Methuselah (1921) are notable among his works. His final prescription for a cure, a philosophy of creative evolution by which human beings should in time surpass the biological limit of species, showed him going beyond the limits of sociological realism into visionary writing.
20th-Century Literature
Two world wars, an intervening economic depression of great severity, and the austerity of life in Great Britain following the second of these wars help to explain the quality and direction of English literature in the 20th century. The traditional values of Western civilisation, which the Victorians had only begun to question, came to be questioned seriously by a number of new writers, who saw society breaking down around them. Traditional literary forms were often discarded, and new ones succeeded one another with bewildering rapidity, as writers sought fresher ways of expressing what they took to be new kinds of experience, or experience seen in new ways.
Post-World War I Fiction
Among novelists and short-story writers, Aldous Huxley best expressed the sense of disillusionment and hopelessness in the period after World War I (1914-1918) in his Point Counter Point (1928). This novel is composed in such a way that the events of the plot form a contrapuntal pattern that is a departure from the straightforward storytelling technique of the realistic novel.
Before Huxley, and indeed before the war, the sensitively written novels of E. M. Forster (A Room with a View, 1908; Howards End, 1910) had exposed the hollowness and deadness of both abstract intellectuality and upper-class social life. Forster had called for a return to a simple, intuitive reliance on the senses and for a satisfaction of the needs of one's physical being. His most famous novel, A Passage to India (1924), combines these themes with an examination of the social distance separating the English ruling classes from the native inhabitants of India and shows the impossibility of continued British rule there.
D. H. Lawrence similarly related his sense of the need for a return from the complexities, overintellectualism, and cold materialism of modern life to the primitive, unconscious springs of vitality of the race.