There are also repeating rhymes, eg: see/thee, sight/night, old/cold, heart/part etc. Sometimes we can find the same rhyme in one sonnet or there is one word that rhymes twice in the sonnet, although the rhymes are different. The standard Shakespeare´s poetic form is fourteen lines sonnet, written in ten- or eleven-syllabical blankverses. Between 154 sonnets, that create the Shakespeare´s collection, are only three that deviate from the standard form. The sonnet 99 has fifteen verses, the sonnet 126 has only twelve – and the sonnet 145 is not written in blanverses, its verse is shorter of two syllables. In one verse before the last one in the sonnet 145 of the original is not translated the allusion. The experts have come to conclusion that this sonnet is devoted to the poet´s wife, whose primary surname had been Hathaway. From that and from the eightsyllabic verse the have come to conclusion that it can be the first Shakespeare´s sonnet.
The next feature of Shakespeare´s Sonnets is their theatrical one. They all appeal to be snatched from dramatical situations - they are like emergently spoken by some figure at the scene and speaking it to another figure. This diction does not need protraction because it has many indications and suppressions, what means the saving of the syllables. Shakespeare´s superiority over his contemporaries and over most later poets lies in the extreme variety of talents, in his equa mastery of the most diverse kinds of poetry. He is equally excellent in comedy and tragedy, in the sentimental and the burlesque, lyrical fantasy and character-study, portraits of men and of women. The power of creating immensely varied characters and endowing them all with life was abnormally developed in him. His characters, whether good or bad, historical or fictitious, have an unfailing humanity. He was as much a creator of human beings as Nature herself. His art is so subtle that many critics have declared him to be a natural genius, working unconsciously. 2.