Her next major success came in 1977 when she won a Golden Globe for Best Actress and an Oscar nomination for her portrayal of writer Lillian Hellman in Julia. The film also starred Vanessa Redgrave and Jason Robards in Oscar winning supporting roles. The next year, she won her second Oscar for Best Actress in Hal Ashby’s war drama Coming Home (1978), costarring Jon Voight (who also won a Best Actor Oscar for his performance). In 1979, she starred opposite Jack Lemmon in The China Syndrome, a film for which both Fonda and Lemmon received Academy Award and Golden Globe nominations. In 1980, Fonda teamed up with Dolly Parton and Lily Tomlin in the box office hit Nine to Five, a revenge comedy about sexism in the workplace, costarring Dabney Coleman. Coleman also appeared in Fonda’s next, and perhaps most personal work, On Golden Pond (1981). Jane starred opposite her father in the last film before his death in August 1982. Henry Fonda and Katharine Hepburn both won Oscars for their highly acclaimed lead performances as an aging married couple, and Jane was nominated for both an Academy Award and a Golden Globe for her supporting role as their troubled daughter. Fonda won an Emmy Award for her portrayal of Gertie Nevels, a poor Southern woman, in the television movie The Dollmaker (1984). Her next notable performance came as the psychiatrist Dr. Martha Livingston in Norman Jewison’s Oscar-nominated film Agnes of God (1985), also starring Meg Tilly and Anne Bancroft. The next year Fonda gave an Oscar-nominated performance as an alcoholic woman involved in a murder in Sidney Lumet’s suspense thriller The Morning After (1986), costarring Jeff Bridges and Raul Julia. A long-time fitness enthusiast, Fonda released an enormously popular workout book and video, Jane Fonda’s Workout, in 1982. The video launched an aerobics craze, and Fonda kept pace with numerous exercise videos throughout the ‘80s and ‘90s. Fonda has championed political causes throughout her life, from supporting the Black Panthers and protesting the United States involvement in the Vietnam War, to speaking out on equal rights for women. Her actions have sometimes been perceived as unpatriotic, such as when, in 1972, she broadcast antiwar sentiments from Hanoi, Vietnam. During this trip, she also posed in an anti-aircraft carrier so that it appeared as though she was shooting at American planes—a political stunt for which she earned the nickname “Hanoi Jane” and received enormous criticism from conservative nationalists.