– Všetko čo študent potrebuje
Štvrtok, 7. decembra 2023
The Pragmatist´s progress
Dátum pridania: 23.12.2008 Oznámkuj: 12345
Autor referátu: celena
Jazyk: Angličtina Počet slov: 1 186
Referát vhodný pre: Vysoká škola Počet A4: 3.7
Priemerná známka: 2.98 Rýchle čítanie: 6m 10s
Pomalé čítanie: 9m 15s
The pragmatist`s progress

Richard Rorty explains straight off that he had read Foucault’s Pendulum as an anti-essentialist satire which made fun of the way scholars, critics and philosophers suppose they can crack codes, peel away the surface of things to reveal a true, underlying nature. He had read it as a spoof of the metaphor of depth – of the notion that there are deep meanings hidden from the vulgar, meanings which only those lucky enough to have cracked a very difficult code can know. That he was wrong just shows he’s right: having imagined that Eco had abandoned his search for “the code of codes,” he’s like every other obsessive whose reading is just a reflection of his own preoccupations.

Rorty’s general stance is sharpened by a little story he tells, his own march toward Enlightenment, “The Pragmatist’s Progress,” as he calls it. This “semi-autobiographical” narrative doesn’t, naturally, describe the road to Enlightenment, but rather the meanderings that led him to his present pragmatism. It begins when the Seeker after Enlightenment realizes that all the great dualisms of Western Philosophy “can be dispensed with.” Not synthesized or overcome, just forgotten. An early stage of Enlightenment comes when one reads Nietzsche and begins thinking of all these dualisms as just so many metaphors for the contrast between an imagined state of total power, mastery and control and one´s own present impotence. A later, more advanced state is reached when Thus Spake Zarathustra just induces giggles. At that point, with a bit of help form Freud, one begins to hear talk about the Will to Power as just a euphemism for the male´s hope of getting back at Mummy and Daddy.

The “final stage” of “The Pragmatist’s Progress” comes when it’s realized that there was no development in this business at all, that the road to Enlightenment was nothing more than “the contingent results of encounters with various books which happened to fall into one’s hands.” This stage is pretty hard to reach, for one is always being distracted by daydreams. But if the pragmatist can escape from such daydreams, he or she will eventually come to think of himself or herself as, like everything else, capable of as many descriptions as there are purposes to be served. This is the stage in which all descriptions are evaluated according to their efficacy as instruments for purposes, rather than by their fidelity to the object described.

For Rorty, this is just more occultism, and if substance is defined as that which is capable of independent existence, it isn’t surprising to see him allude to Aristotle at this point: Eco for his part does certainly regard the text as an independent entity, with its own intentions and integrity. In his „Intentio lectoris“ – intention of the reader he insists upon a distinction between interpreting texts and using them.

Rorty dismisses this as a pointless distinction, like so many of the other pragmatists. On their view, all anybody ever does with anything is use it. Interpreting something, knowing it, penetrating to its essence, and so on are all just various ways of describing some process of putting it to work.

Rorty was dismayed to find Eco insisting on a distinction between meaning and significance – a distinction between getting inside the text itself and relating the text to something else. This is exactly the sort of distinction anti-essentialists deplore – a distinction between inside and outside.

Still, he offers one of his own: the distinction between using a text for your own purposes, and using it in order to change your purposes - using it to get what you want or to change what you want. The former produces methodical readings of texts, the latter inspired readings - readings of love (or hate) and passion.
   1  |  2    ďalej ďalej
Copyright © 1999-2019 News and Media Holding, a.s.
Všetky práva vyhradené. Publikovanie alebo šírenie obsahu je zakázané bez predchádzajúceho súhlasu.