Pitt’s next few films failed to boost his acting credibility and establish him as more than just a pretty face in Hollywood. He appeared in The Favor (1992) with Elizabeth McGovern, Tom CiCillo’s directorial debut, Johnny Suede (1992), and the unconvincing, half-animated Cool World (1992). However, later that year, the Hollywood sunshine set the golden boy alight once more in Robert Redford’s 1992 film based on Norman McLean’s autobiography, A River Runs Through It; in which Pitt played the main character’s gambling, fly-fishing brother (looking remarkably like the young Robert Redford). Redford later admitted that he did not choose Pitt on the strength of his audition, rather, because “[he] had an inner conflict that was very interesting to me.” Pitt delivered a sparkling performance, skillfully depicting the character’s dangerous footing between overwhelming charm and reckless self-destructiveness. In 1993, Pitt re-teamed with three-year girlfriend, Juliette Lewis, in Dominic Sela’s Kalifornia. Pitt played Early Grayce, a man who goes on a cross-country killing spree with his girlfriend. The film was deemed self-indulgently violent and nihilistic by many reviewers and did not do well in the box office. Pitt and Lewis broke up soon after filming, creating a publicity disaster. Pitt proceeded to lighten his repertoire with a comedic performance as “Floyd,” a burnt-out hippie in Tony Scott’s True Romance, but his next major role came in the adaptation of Ann Rice’s Interview with the Vampire, alongside Tom Cruise. Rice initially expressed outrage at the casting choices, finding the two boyish, all-American film stars too rough for the subtle, slightly homoerotic overtones of the tale. “It’s like casting Huck Finn and Tom Sawyer,” she reportedly complained. However, after seeing the final film, Rice retracted her initial statements and filmed a short spot for the video version, endorsing the film. Caryn James of The New York Times reported, “the power of the film depends on Mr. Pitt’s rich and deeply affecting performance. Low-key and serene, he makes Louis convincing as a bereaved father, lover, even son.”

Pitt’s next few efforts secured his place as a Hollywood staple; still, many critics found his roles lacking in dimension. In 1994’s Legends of the Fall, an epic family melodrama, Pitt played Tristan—a stereotypical romantic hero with long, golden locks and a penchant for alternately selfish and self-sacrificing gestures. However, Pitt abruptly took a gritty turn as a detective on the trail of a serial killer in David Fincher’s disturbing and gory, Seven.