*
* One of the symbols with which Khons was represented, shows that even he was identified with the child-god; "for," says Wilkinson, "at the side of his head fell the plaited lock of Harpocrates, or childhood."
This was the way in which Osiris, "the son, the husband of his mother," was often exhibited, and what we learn of this god, equally as in the case of Khons, shows that in his original he was none other than Nimrod. It is admitted that the secret system of Free Masonry was originally founded on the Mysteries of the Egyptian Isis, the goddess-mother, or wife of Osiris. But what could have led to the union of a Masonic body with these Mysteries, had they not had particular reference to architecture, and had the god who was worshipped in them not been celebrated for his success in perfecting the arts of fortification and building? Now, if such were the case, considering the relation in which, as we have already seen, Egypt stood to Babylon, who would naturally be looked up to there as the great patron of the Masonic art? The strong presumption is, that Nimrod must have been the man. He was the first that gained fame in this way. As the child of the Babylonian goddess-mother, he was worshipped, as we have seen, in the character of Ala mahozim, "The god of fortifications." Osiris, in like manner, the child of the Egyptian Madonna, was equally celebrated as "the strong chief of the buildings." This strong chief of the buildings was originally worshipped in Egypt with every physical characteristic of Nimrod. I have already noticed the fact that Nimrod, as the son of Cush, was a Negro. Now, there was a tradition in Egypt, recorded by Plutarch, that "Osiris was black," which, in a land where the general complexion was dusky, must have implied something more than ordinary in its darkness. Plutarch also states that Horus, the son of Osiris, "was of a fair complexion," and it was in this way, for the most part, that Osiris was represented. But we have unequivocal evidence that Osiris, the son and husband of the great goddess-queen of Egypt, was also represented as a veritable Negro. In Wilkinson may be found a representation of him with the unmistakable features of the genuine Cushite or Negro. Bunsen would have it that this is a mere random importation from some of the barbaric tribes; but the dress in which this Negro god is arrayed tells a different tale. That dress directly connects him with Nimrod. This Negro-featured Osiris is clothed from head to foot in a spotted dress, the upper part being a leopard's skin, the under part also being spotted to correspond with it. Now the name Nimrod * signifies "the subduer of the leopard."
* "Nimr-rod"; from Nimr, a "leopard," and rada or rad "to subdue." According to invariable custom in Hebrew, when two consonants come together as the two rs in Nimr-rod, one of them is sunk.