He played with various groups in the 1960s such as The Crawling King Snakes, Listen, Hobbstweedle, The Band of Joy (with John Bonham), which concentrated mainly on the blues. In 1967, he released several solo singles on CBS, but it was a far cry from his true capabilities. Rare demos from the Band of Joy era reveal a glimpse of what the future held. After a session with Alexis Korner in 1968, Plant would soon be asked to join Led Zeppelin, and recommended Bonham as well. His style varies through the years as does his influences. Through Led Zeppelin, Plant was able to explore a variety of styles including heavy rock, folk, blues, Indian and Celtic. The quintesential rock vocalist and frontman, often immitated but never duplicated. John BONHAM (31.5.1948)
Describing the style of John Bonham's drumming instantly conjurs up visions of the thunderous power he created. His contributions to rock music were revolutionary, and his talent unmatched and irreplaceable. You can only imagine Jimmy Page's reaction to first seeing him in 1968, ending his search for a new drummer to form a new band, the New Yardbirds (later renamed Led Zeppelin.)
A childhood friend of Robert Plant, they played together in the 'Band of Joy', resulting in local gigs and a few studio demos. At first, Bonham was reluctant to join the well-known guitarist because of a steady gig with Tim Rose. But.. the rest of history.. As John Paul Jones, Jimmy Page and Robert Plant have all stated many times, Led Zeppelin wouldn't have been half as good without him. Along with JPJ, they provided the solid foundation and backbone of the band, which made it all possible. Live performances truly showcased his abilities during the numerous improvised jams throughout every concert and of course his famous "Moby Dick" drum solo; reaching a half-hour in length at times! Immitators are usually left frustrated, since Bonham made it look so easy - not only in his playing but also in the incredible drum sound he acheived. His legendary right foot (on his bass pedal) and lightning-fast triplets were his instant trademark. He later refined his style from the hard skin-bashing approach to a more delicate wrist controlled one - which produced an even more powerful & louder sound with less effort. His tragic passing on September 25th, 1980 immortalized his legacy forever. His only son, Jason proudly continues the tradition. Daughter Zoe also has a strong interest in music and is experimenting with her own original material.