Besides, he was influenced by other personalities of our cultural life - Suchý, Šlitr of the Semafor Theatre from Prague; Lasica- Satinský, Markovič, Melkovič; directors and professional actors with whom he collaborated.

At first sight, simple, naive stories undre the cover of carefree humour, laughter and folksiness often hide serious ethical and social themes. The special local dialect of Radošiná even emphasises the special “village“ look at the world.

Author´s major themes are – breaking myths, false-hearted illusions, people´s stupidity; pacifism and permanent interest in humanity, as well.

The humour of Stanislav Štepka helps people see and name the contemporary times, their problems and understand throuhg laugh: that is about all of us – and that is the essence of the RNTC´s success. It can be confirmed by the positive response of the audience and the critics alike.

Stanislav Štepka has written 35 successful plays. VI. Zoznam literatúry


ŠTEPKA, S. – PORUBJAKOVÁ, D. : Radošinské naivné divadlo (alebo Správa
o dedinských poštároch 1963-1983).
Osvetový ústav, Bratislava 1985

ŠTEPKA, S. : Radošinské naivné divadlo. Tatran, Bratislava 1983

ŠTEPKA, S. : Radošinské naivné divadlo 2. Tatran, Bratislava 1989

ČLENOVIA RND : RND (1963 – 1993) Revue. Istropolis, Bratislava 1993

ČLENOVIA RND : Radošinské naivné divadlo (Revue 8), Divadelná ročenka
o 37. sezóne. Agentúra RND, Bratislava 2000

Časopis Pyramída, marec 1984, č. 153 (pus – raj), Bratislava, 1984, str.4892

ŠTEPKA, S. : Tri sny (a doslov do snov). Slovenský spisovateľ, Bratislava 1993

VICEĽOVÁ, E.: Stanislav Štepka a Radošinské naivné divadlo,Výberová
bibliografia. Topoľčany 1994

MISTRÍK, M.: Slovenské divadlo v 20. storočí. VEDA, Bratislava 1999

ŠTEPKA, S.: .. a já, Katarína Kolníková. Ikar, Bratislava 2001

www.rnd.sk













VII. Prílohy


1.